Captain Fantastic, Captain Improbable


Captain Fantastic is the finest Hollywood film I have seen in a very long time.  One can dream of an alternative to neoliberalism, but we all know how very hard it would be to create and sustain a personal alternative.  The protagonist of the film, Ben, tries to foster a better form of life for his family, and he finds this is crushingly difficult.  But, more importantly, the film often turns the camera from Ben’s family and points it straight at us, and we recognize ourselves and loathe what we see there.

Anthropology is the study of the death of expression of the human logos:  generations of people like Boaz and Benedict and Kroeber watched and recorded as languages perished and ways of life withered into a sameness — the victory of a single, omnipotent Das Man.

Art — and perhaps most of all, science fiction — is a kind of inverted anthropology.  Works like The Dispossessed or Ecotopia or Green Mars try to imagine a future that is not the total victory of the One Advertised Existence.  There is little left but art to tell us that another world is possible.

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